The Amazon Kindle Fire was announced today in the US – as yet no UK date. Alongside an incredibly cheap price (half that of the ipad) the device boasts a heavy use of cloud computing, a fast browser, smaller than Ipad dimensions for easy transportation. All the tech specs are in these articles, no pint in repeating them:-
tech review
businessweek
What is intriguing about the Fire for me is that its introduction – based on the success of the original kindle - demonstrates that the tablet space is maturing to the point where it is beginning to impact the publishing market. While I doubt I will entirely dispense with real books, the series of improving and cheaper introductions to the market (alongside audio books which I love, and get through an enormous amount of content on) are chipping away at publisher’s traditional business model of sticking ink on paper and flogging it. This is – as most things are – a threat and an opportunity to those inhabiting that market place.
On the alarming side publishers and resellers only need to look at the disastrous effects of peer file sharing and the ever lower costs of entry to the music market which saw retailers (like HMV, Zavvi etc) essentially made redundant, while the big music conglomerates suffered huge financial turmoil as they returned less and less money for each CD sold. While the exposure is less for publishers – books lend themselves less easily to replication than music (you cannot just ‘scan them in’, also there is a significant attachment to the physical nature of a book which does not exist to the same degree to the ephemeral nature of music) – it remains a concern that over time. And as the children of the future are undoubtably to be raised on electronic textbooks sentimental barriers will erode.
More positively, from my perspective as an avid novel reader and fiction writer of sorts, I am excited in that it could promise the flowering of independent publishing. Low cost of entry (well apart from the frankly awesome level of work it takes to produce a novel), ease of delivery and an expanding market created by the Kindle, iPad and the like, point towards real transformation. The effects of this should reduce the influence of publishing houses in filtering the work that becomes available to the public. This is a two edge sword - a lot more crap is going to be available to read on your tablet as there will be fewer people to quality control. However on the other hand it means more unusual work could make it to market when it might otherwise have been filtered out. Harry Potter (does not seem unusual now but was in 1997) was ignored by a dozen publishers and took some time to be picked up. I am sure hundreds of novels of excellent quality never saw the light of day because publishers (perhaps erroneously) judged them as marketless. The upshot of this more varied fiction landscape however will be that the great burden of sifting the wheat from the chaff will fall to reviewers on the web – to highlight and publicise the best indie fiction to the larger market. And in this you see another mirror held up to the music industry – to more aggressive marketing to ensure the best independent coverage of the novels you do wish to push, publisher to survive witll have to be PR agencies of sort and work harder to pick up the best performers.
Transformational times. The chances of me being able to say I am ‘published’ one day seem to be increasing.
